LinkedIn makes me itch, 2018 has that new car smell, and other thoughts

LinkedIn is still a boxy place full of bosses, former ones and prospective bosses, small boxes to check and boxes into which we must shoehorn our skillset and lop off the quirks that may make us incredibly valuable but may not necessarily be valued. I click and scroll and read and my shoulders feel freighted by the imaginary shoulder pads I should be wearing in my little box of a profile picture. I can never look proffy enough for LinkedIn.

Random gents from Nigeria attempt to add me to their LinkedIn networks. I receive invites at least daily from complete strangers from Lagos, people whose titles sound like they ripped them from the Lives of the Saints: God's Hands and Feet, Director. Do I want to add this person to my LinkedIn network? Is it my own hubris that I don't want to add someone with the hubris to place the hands and feet of the Almighty as his professional title?

I click on "ignore request" because it all makes me feel a bit icky. Then I am smacked by my own privilege. What licenses me to ignore? Where do I hop on my First World high horse, so jaunty as I wave away these requests for connection. Because I was born under a certain star? Because I stand on the shoulders of giants? Because I would struggle mightily to imagine what it's like to have queued up a website on an unstable internet connection in a place so desolate of opportunity that the only hope one holds is to make a connection, no matter how superficial, because that feels like progress? What is it like to log on to LinkedIn and not feel bewildered by the boxy bossiness, but rather to find endless sea at nighttime, small boats and buoys bobbing with their sails up, tomorrow replete with possibility albeit unknown?

Whereas I can log off and hope for something to work out.

The very fact that I can write this true sentence about my life is some privilege worth confronting: I took the fall off to help the kids transition. Meaning, I chose not to work for someone else but rather worked for myself. In the pajama pants of work-from-home mythology.I booked hair appointments in the middle of the day like a proper Betty Draper. I went to yoga when I wanted, ate snacks at my desk, picked my kids up from school every blessed day. I've enjoyed the leisure of negotiable deadlines and the thrill of hard deadlines and I've even prettied up my professional website so that if the freelance hustle wants to pick itself up? It can.

It is now time to reemerge and inhale that new car smell of 2018. Ironically it smells like a gritty public bus ride to somewhere, somewhere that I'll have the privilege to serve.

Facebook Status Cliches Rewritten As Ballad Lyrics for the Oeuvre of the Late Luther Vandross

I.

And just like that
Just li-i-i-i-ike that!...
I had a seven year-old.

II.

On this day,...
On THIS day. I married my best Myyyy best friend.

III.

This weekend… was one for was one for was one for the books.

IV.

I may not post
Very often
But when I do
When I-I-I-I-I do It’s to share This Groupon This one and only Groupon deal With youuuuuu.

V.

If you see this girl
If you seeee
Thi-i-i-i-is girl today! Make sure you tell her? Ha-a-a-a-a-ppy Birth It's her birth It is her birth Happy B-i-i-i-i-i-rthday.

VI.

Our family
Is growing By two feet One foot Then two-o-o-0 feet! Our precious little family is growing By two feet.

VII.
Hashtag
The Lucki-i-i-i-est
Hashtag
Hash to the tag
Hashtag
Blessed

VIII.
I love you To the moon All the way to the mo-o-o-o-on And all the way Allllll the way Come back, Come back from the moon I love you to the moon and back

IX.
Mom and Baby
Are doing just fine Just fi-i-i-ine We are so!

So!

So

So

So

So

So

In Lo-o-o-o-ove.

It's a Wonderful Wife: What Mary Bailey is teaching me about how to live post-Sandy Hook

Five years ago on December 14, we heard and read of the horror that occurred at Sandy Hook Elementary in Newtown, Connecticut, We imagined the grief of these parents who had already wrapped Christmas presents for their children, these babies whom they would now have to bury. Their grief was beyond our fathoming, so monstrous and so paralyzing.

Anne Lamott writes about Sandy Hook in her book Stitches: A Handbook on Meaning, Hope and Repair, particularly how paralysis is not a place to stay on the heels of grief.  “You have to keep taking the next necessary stitch, and the next one, and the next. Without stitches, you just have rags. And we are not rags,” Lamott writes. “We live stitch by stitch, when we’re lucky. If you fixate on the whole shebang, you miss the stitching.”

A powerful epidemic of kindness ensued following Sandy Hook. NBC 's Ann Curry spurred us on to commit 20 acts of kindness. To include the women who died at the school, The 26 Acts of Kindness movement began with a roar. Donations of talent and treasure and teddy bears swelled not only around Newtown but into communities everywhere. The lightness and goodness did its damndest to drive out the darkness.

Five years later, we are numbed by the regularity of massacre on our soil. We are bereft of shock when another mass shooting occurs. Great sweeping acts of kindness may feel, well, a bit naive when the forces that are meant to protect our freedom from fear are, at best, crumbling, or at their very worst, seem to be the embodiment of evil.

In our impotence, many of us will turn to tropey holiday films as we do year after year. That old standby It's a Wonderful Life will remind us with the chiming of bells and angel wings of what matters.

On a recent reviewing of Frank Capra's classic, though, it occurred to me that the protagonist, George Bailey, is not the hero America needs at this moment. It's the First Lady of the Bailey Building and Loans: Mrs. Mary Bailey. George's mother tells him she is "someone who can help you find the answers." Maybe she can help America find some, too.

At first blush, Mary Bailey may appear to be one who settles, one who cannot dream beyond Bedford Falls. But Mary cultivates contentment in every circumstance. She doesn't get an epic honeymoon; she makes loans to fretful bank account holders with her wedding money. She fixes up a leaking, decrepit, old mansion; she calls it the bridal suite. She's complicit in this -- even seems to take joy in it all -- and we never see her utter an embittered word about it.

When our protagonist faces his dark night of the soul, it is Mary who leads the charge to save him and his bank. Stitching together a network of friends, she watches as each pours in his dollars and cents.

At the heart of all George's pain is a miserly banker named Mr. Potter whose crotchetiness is only transcended by his greed. Unlike George, Mary does not seem to waste a moment fuming at Potter. Mary's focus is on what's possible.

The last few years have been a dark night of the soul for our country.

I have frittered away much of this year reading incendiary Twitter threads and rolling my eyes at political frenemies. To what end? If I am to look to the model of Mary Bailey, then my focus needs to be set on what's possible.

The poignant beauty of Sandy Hook was a whole nation averting its eyes from the Terrible and Unfathomable and pivoting toward the Lovely and Generous. The indomitable spirit within each one of us has the power to spur something powerful again, by first fixing our eyes on a more redemptive future. We will believe that our disparate rags can become something of a shelter in this “drafty old barn,” to borrow a phrase from George speaking to the one and only Mary Bailey, as she asks, “What’s wrong?” while she fixes the salad. Mary, always fixing.