Why no one tells you how to be a woman

You hear this refrain often. You hear it in fond toasts by groomsmen. You read it in Father's Day greeting cards with pictures of old timey vehicles on the front, the hood popped open. "You showed me how to be a man," they say, and these tributes are usually followed by specifics. You showed me how to shave,  how to parallel park, how to hook a fish,  how to cook a perfect ribeye on the grille. Or maybe it's just a general platitude offered to someone a man admires. A salute to a strong oak of a man who stood firm even when the winds of change or his son's mood swings or his son's girlfriend-of-the-month swept through. I take no issue with this tribute, even if it is sometimes an affectation. We need men to mentor well, to usher in a new generation of moral leaders. We need good men to model virtuous manhood. I don't think anyone is arguing against this the business of Showing a Boy How to Be a Man.

But no one ever tells you how to be a woman. Never, never have I ever heard a bridesmaid tell another woman,"You showed me how to be a woman." Mother's Day Cards are usually covered in flowers with floral script, populated by words like "sacrifice," "patience," and "love." There is no mention of womanhood--there is no holiday or occasion to salute Being a Woman. I have several theories about why this is.

The first is that the business of being a woman is murkier. Womanhood cannot be boiled down to feats like tying a bowtie or changing a tire as are the hallmarks of manhood. Womanhood is evolving for each of us, by its very definition. The entry into womanhood is often marked by a change so profound it is uncomfortable. Just now, for instance, I have lost all 2 of my male readers who are afraid I'm going to mention something about menstruation. The horror. But if we are honest, this is part of the reason womanhood is so veiled in mystery. Each girl will go through a reproductive change at a time over which she has absolutely zero control. If you think about it, it is incredible how something that has been happening since the beginning of time to girls is still something each one has to learn how to navigate for herself. She has to listen to her body, understand its rhythms, overcome the discomfort and pain that reminds her regularly that the business of being a woman is so freaking fluid.

Another reason is that we seem to be afraid of proactive womanhood. Instead, womanhood is often reactive. You don't have to look far to see evidence of this. We could spend a lot of time discussing what this past presidential election taught us about proactive versus predatory behavior, but it is just a microcosm of a larger culture that favors women tossing up the white flag of surrender rather than canvassing for a cause about which she cares.

This is why Wonder Woman blows us away--because a girl reared by all female elders to fight evil is so radical an idea we don't even have a context. Then she goes and partners with a mere mortal of a man and doesn't emasculate him? Holy Novel Narrative, Batman.

If machismo is the affliction of believing too fiercely in one's manhood so that he belittles women, there should perhaps be an equivalent for women. There is no womanismo, though. Women who are independent to the point of self-sufficiency are often portrayed as simply man-hating. What a shame that no one tells you how to be a woman because that might threaten men.

There is a final reason I believe we don't tell girls how to be women, and I think it's the saddest of all. I think it's because we lack creativity about what it means to be a woman. 

Forgive me if I am too strident here, but why am I more likely to read an article about "How to fight an attacker" than I am "How not to raise a rapist"? Why do colleges and universities need to teach matriculating co-eds about self-defense, about not being ruffied, about the protocols one should follow if one is sexually assaulted?

What if we spent half the time and energy expended toward reacting to the inevitability of rape and instead fueled our energy reserves toward cultivating an equitable world for girls and boys. What if instead of raising awareness about rape culture, we poured a modicum of those resources into investing in the awesomeness of girls and their interests?

Remember those Nike commercials "If you let me play sports..." and all the gnarly residue of girls who are allowed to participate in athletics? Well, it's 2017 and we don't need to use that kind of weaksauce language anymore. We don't let girls play sports. Boys rarely have to ask to be let to do anything. We just encourage them to play sports, if that's their jam. And we should not be surprised if they grow up to be men who don't ask permission. Who don't need consent. In 2017, we don't let girls play sports. We expect girls to play sports. And we expect them to be the ones coaching us in 10 years.

How sad that our definition of what it means to be a woman is often so lacking in scope and imagination. I've heard of so many friends giving their daughters smartPhones and the attendant restrictions. All the things not to do, the people not to follow, the behaviors not to replicate. This is all incredibly important, but what does it leave us with in terms of cultivating creativity in girls? Is there a Girlfriend's Guide for How to be Awesome Online? A crib sheet for how to be a woman who inspires?

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I recently was feeling the freight of all this as I sent my daughter to camp. I was nervous about what she might encounter in girl world, bunking with all her besties away from me for a week. I met her counselor who introduced herself with a confident handshake and told me about her plans to become an English secondary education teacher. I was smitten and grateful for Counselor Raquelle. I was reminded how my nervousness could infect my daughter in negative ways, how it sent the message once again that being a girl was a liability and not a plum assignment.

Missing my daughter one evening, I logged onto the online portal of camp photos for that day. My son saw it first, the image of big sister at camp. It was as if she had memorized the Amy Cuddy Ted Talk.

Once again, I was smitten and grateful for another girl. Showing me that being a girl can be proactive, creative and awesome, lest I forget.

Six Years a Southerner

"Looks like Michelangelo is getting a bath," said the dad, bending over the grate where his offspring had wedged an action figure into a ground sewage stream. "Do y'all understand how this happened?" One of the funniest scenes during our time in the South played out within the first month of our arrival, some six years ago. Loverpants and I still laugh when we walk by this spot in front of the Tennessee Aquarium, a destination that is the heart of Chattanooga's renaissance as a Southern city. We think how the aquarium houses pods and plants and all manner of sea and river creatures. It also the little-known bathhouse of ninja turtles.

My own immersion into the South was almost as abrupt as Michelangelo's. We arrived to our rented ranch house on three acres and felt the distinct awe of our new rural-burbia life, waking up to the sounds of cows mooing when only days prior, we had known only tinkering shopping carts rattling down city blocks, the siren cry of ambulances so familiar we barely noticed. We were soon introduced as newcomers to my workplace. We were awkward and unwieldy. Baby Girl couldn't find her sleep groove for weeks. I couldn't find time to lesson plan. Loverpants couldn't find an office space to lease. Little Man couldn't find his walking feet.

But then we did. We found ourselves doing life in the South as people who worked and churched and bought Aretha Frankenstein pancake mix to make at home on Sunday mornings. The difference, I think, is that finding a rhythm is not the same as finding a fit, which is how I would classify my time in the South. Just because Michelangelo is placed in the gutter and he stays there doesn't mean he belongs there.

I have not found belonging in the South. This is not a criticism of the South, just a witness to my experience. Mercifully, though, I have found pockets of being known and that has been the great treasure of my life here.

Belonging in the South, specifically in a more junior city, specifically in a conservative religious community, requires a certain extroversion that eludes me. Small talk is currency in this environment where one mills in small concentric circles of interconnected folks. I am allergic to small talk so I am most likely to enter into conversation with, "I cannot freaking believe I am buying sex ed talk books for my kid already," rather than preferred pleasantries about the weather. There is also a pervasive lack of directness that is borne of the aforementioned interconnected network. If good fences make good neighbors, then a lack of fencing can lead to a superficial neighborliness. Being authentic, after all, is a liability. And being authentic in one social circle where any misdeeds in one patch might bleed into another can leave us defenseless. The need to "play nice" at the expense of addressing conflict or wrong behavior is something I've observed too often. My natural bent is to be as direct as possible, even if it is hard. So whenever I have found others willing to join me to climb the chutes and slide down the ladders of directness, I have desired to call those people my kin.

There are a whole host of other aspects that I have found so foreign about the South (The expression "might could." The frequent use of styrofoam in restaurants. The lack of sprinkler parks in spite of the heat much of the year). But if I dwell on these things then I fail to see the good and to celebrate the great things about the American Southeast (Publix Grocery Stores, hallelujah! The lushness of spring. Savannah/Tybee Island. Charleston. Birmingham. Nashville. Memphis. Crepe Myrtles. Sitting in the bleachers for Used Car Night at a minor league baseball game in the fall). There is so much to adore about this region that has been our home for six years, this city that has, at turns confused and enchanted us.

We will return to the Northeast from whence we came, with children six years older, with wisdom poured like a fine wine aged six years. And we will be glad for the friends we have made, the places we have served, the houses where we have worshiped.  We will count it all a blessing to not only have gotten wet but to have been fully immersed like Michelangelo in the sewer, with passersby asking if y'all knew how it happened.

On being a grumpy protester in the Easter pageant

My pastor has asked me to lead a scene in our Easter pageant and I am grumpy about it. It’s not that I don’t like Easter pageants or directing. I’m just ill-equipped to direct this one. Work is kicking my tail, my husband has been traveling, and my kitchen is a revolving door of kindergarten shoebox dioramas. I am exhaustion covered in glitter glue. The pastor has recruited dozens of people to take part in a silent motion stage performance of modern day resurrection scenes. The enthusiasm surrounding this Easter pageant is infectious and the opening scenes are always very powerful. But when I get an e-mail with our rehearsal schedule, I just want to drop out. I want to stay home and watch “The Great British Baking Show” on Netflix, even though I know how every season ends.

Alas, my kids are gunning hard to be in the pageant this year. Every other year I demurred thinking the day would be too long for them. My son has campaigned very hard for the last month to play the part of “Bearded Guy.” He settles for a Syrian refugee boy, but continues to ask when he is going to get to wear the beard every 4 minutes. My husband can only make part of the rehearsals due to his work schedule. This does not help my grumpiness. Nothing can help it. Not even our pastor who is is all of a twitter about this Easter pageant.

The pastor and his family are the saltiest salt of the earth and I will follow them to the ends of the earth. But this play rehearsal, y’all. It is feeling a little extra. When we arrive at rehearsal, the pastor sells the idea of each scene to us. He is especially excited about scenes reminiscent of the recently released “Hacksaw Ridge,” the trailer from which he pulled the music for the opening.

We divide into groups and try to figure out how to portray the action. We’ve been given a skeletal script, basic notions of what we’re trying to represent. I know a few of the other actors in my scene, but I’m not entirely sure what we are supposed to accomplish and how this is supposed to play out in the seconds we’re given. The basic plot is that we are a bunch of political protesters holding signs with pithy political messages. We square off in two formations, showing angry, violent opposition to the other formation of political protesters.

Some of the actors have a vision of how we can assemble and I defer to them. Others don’t know where to enter; others are concerned that they won’t be seen. My son keeps wandering out of his scene to tug my shirt and ask me when he’s going to get his beard. For three nights in a row, I am somewhere between Syria and Washington DC, surrounded by soldiers being lowered down Hacksaw Ridge on Okinawa. None of this makes sense--especially our political scene which ends when two angels appear. Enter: cherubs. Then, the protesters throw down our political signs, hoist a huge American flag, and hug one another. Two teenage girls even snap a selfie, political opponents no more! I glance at the other scenes and I can recognize the true beauty that rises from the ashes of refugee camps and tragic school bus crashes and wartime heroics. But our scene just feels hokey.

At the end of practice, I make sure the American flag we use as a prop isn’t left on the ground. I drape the flag over a church pew. As I arrive at rehearsal each successive night, the flag has been folded neatly and lovingly into a triangular formation. It becomes my obsession, keeping the flag lifted and not falling on the stage where it can be trampled.

As the final rehearsal finishes, I am proud of my little group of protesters. We have worked hard to get our scene right. As the angels emerge from out of the darkness, we’re all in position and the flag is where it needs to be. The “Hacksaw Ridge” trailer music queues like nightmare on loop. I don’t know how we are going to do this for 13 consecutive performances. I text our pastor and his wife. “When do we get to debrief about this?” The pastor replies that the best part of this is not the performance but the chance to build community. I feel bad for being one more grumpy church lady he has to deal with.

We are up at 6a the day of the pageant for makeup. My hubby and kids are sponged and dusted with cocoa powder and make for convincing refugees. My pack of protesters are outfitted in our best patriotic garb: tattoos, bandanas, red trucker hats that say “Make America Great Again.” In between scenes, I get to know the protesters who are students of nursing and psychology; single mothers and new drivers; socially liberal singers; former members of the police reserves who just like to carry guns.

I am barely awake for the first few performances but by 11a.m., the church is packed to standing room only. Cheers cry out for Desmond Doss as he climbs Hacksaw Ridge to save “just one more,” and it all comes crashing down on me and the tears come and they just keep coming. The flag that we raise and the ladder that the soldier climbs are not mutually exclusive as symbols go. In fact, they are the same. This is not mixing religion and politics--trust.

Christ came to save us all: the tattooed and the trucker hatted; the schoolbus driver and the new teen driver; the gun-toting soldier and the refugee. He would not let one fall to the ground without regarding it as precious. Not a sparrow falls without his notice. In the same vein, this flag that we revere, the one we cannot let fall to the ground, is one for which blood was shed so that all could enjoy freedom. What could be freer than love? Freedom and love are regularly compromised and trampled on the battlefield for our hearts, but the war has already been won by the One.

We throw down our signs as we throw down our crowns. And his name shall be Emmanuel, God with us. photos by Andy Nash.